After five weeks of thrilling performances that had captivated the Swedish public, Melodifestivalen 2023 has finished with the highly anticipated Final, which was broadcasted live from the, legendary, Friends Arena in Stockholm, and hosted by, this year’s “break-out” stars, Jesper Rönndahl and Farah Abadi!
Throughout the six shows, 28 talented artists had given it their all, showcasing their skills and hoping to secure a place in Liverpool. After much anticipation, the Swedish public and eight international juries finally came to a unanimous decision. Loreen, who had won Eurovision 2012, was chosen to represent Sweden once again, with her powerful song Tattoo.
It was evident from the start that Loreen was a clear favourite. She dominated the voting, receiving the highest votes from both the international juries and the Swedish public. The bookmakers had also predicted her as the winner, and with the momentum of her strong performance, she is currently the frontrunner to clinch the Eurovision trophy for a second time.
Tattoo was co-written by Loreen, along with Jimmy “Joker” Thörnfeldt, Jimmy Jansson, Moa Carlebecker, Peter Boström, and Thomas G:son. The song’s unique sound and meaningful lyrics resonated deeply with the audience, leaving a lasting impression.
As Loreen gears up to compete in Eurovision once again, her fans around the world eagerly await her performance. With her undeniable talent and the strength of Tattoo, Loreen is set to make another unforgettable mark on the international stage, leaving audiences across Europe in awe of her exceptional abilities.
However, as reported, earlier today, there are concerns regarding Loreen’s 1,800kg upper LED. The LED, a crucial component of her performance of the song Tattoo, could prove to be too heavy for the Eurovision stage in Liverpool.
It’s not the first time that the organisers of the Eurovision Song Contest have faced this issue. In the past, they have been hesitant about performances that require items to be hung from the rigging in the venue. For instance, in 2019, Swedish representative John Lundvik had to change the lamp that was hung from the ceiling at Melodifestivalen to a floor-mounted stand for the lighting device in Israel.
It is worth noting that, in general, staging from Melodifestivalen has translated well with minimal changes to the Eurovision stage. However, the weight of Loreen’s LED could be a significant challenge. Melodifestivalen’s project manager Anders Wistbacka has stated that they have not yet thought much about how to address this issue.
The weight of the LED is a legitimate concern. It is an integral part of Loreen’s performance, and changing it could have a significant impact on the overall effect. However, the organisers of Melodifestivalen and Eurovision have proven to be adaptable and resourceful in the past. There is no doubt that they will find a solution that works for all parties involved.
